My production process was to initially be completely reliant on photoshop as I was already fairly skilled with this application and had a basic knowledge of how to do things on it. After a while and starting on my magazine cover I realised that this wasnt the solution to all my problems as I was finding it extremely hard to process multiple things and edit insignifficant borders and boxes without it glitching or being more than trouble. Eventually I began to test InDesign as it had a more specific toolset and allowed you to organise pages and create various layers that you could quickly jump to and edit. Unlike photoshop it had a seperate layout in which it would automatically select a layer without you having to manually switch layers by clicking on the tab on the left hand of the screen and reselecting. After the first few errors and accidentally putting my entire magazine into the same layer I achieved a better looking magazine result than the previous attempt on photoshop with a lot less effort.
This was the initial photo that we took outside in the snow. I initially had the design idea that I could put a band on the front cover but after taking a couple of photos and analysing a few magazines I noticed that the majority of MOJO magazines were shot in portrait with a max of about 3 people and so I set on with making this fit the genre more. I pruposely shot it in the snow because it create a fantastic landscape in the background and create a particle effect of the people in shot. I shot it from a medium long shot so that I got a sense of perspective and length of the band that matched the front of the magazine in an A4 layout. This also fitted in with the target audience once more as it showed this idea of the music being very purist as the snow connotes a classic feeling
In the second picture (right) I edited the other two people out of the shot but encountered the problem with two people crossing onto the picture and clashing with the picture. I had to sort this out with the clone tool and gradually edited out the hands and legs of the people pretuding into the picture. After this I stuck with my initial idea of taking the picture in portrait and edited in a sepia tone to create an old effect with a pseudo steampunk style with the clarinet in the background. I also intially highlighted all of the instruments with a red tone to stand out but after seeing a cheap 2D effect happen to the microphone I decided to stick with just the guitar for the professional look. Finally I edited out the odd branch that entered the shot and removed the lampost from the top left of the screen to stop it from removng the readers attention from the main centre image. In all the time of editing my photos I have used a variety of techniques. I used such things as the Clone Tool so that I could cover up blotches and blemishes on the picture such as the leg thats inserted inside of the image which I edited out. I also used filters aswell to create a sepia effect and in some of my earlier work I used the filter to create a cutout effect so that it seemed a much more lighthearted magazine. Filters can be used from cartoon looking to creating a water toned effect on top of the image so that it looks like its been washed away. It creates a really original perspective. Finally I used the cut-out tool to remove the background from my images and put a custom version such as a gradient or a drop shadow to the images.
This was my final front cover designs with drop shadows behind all the text and a stand out tone of the featured article. I took idea's from the previous MOJO magazine I had analysed and mimicked the styles of. I changed alot from the step before as I thought I had finished but didnt like the look of the magazine at all. I disliked the way it had an extremely unprofessional vibe about it so set out to find the little extra bits that can turn a magazine from looking student-like to a professional design. I think the most noticable addition is the new red colour palette instead of the orange. I realised this was the best idea as it created a bolder contrast like MOJO's designs are usually like. I had to use a variety of effects on the majority of the words and titles to make them stand out and kept with the scanned in CD at the top left of the magazine.
This was my first design of the contents, Despite looking reasonable it didnt seem very professional. At first I didnt understand why this was but eventually after seeing various MOJO contents I realised the big problem was the sheer size of the text on it. It seemed alot more like a front cover than it did a contents paged and also missed out the quotation thats on almost every MOJO contents, So I quoted from one of my pages in a later on attempt. I like the high angle shot of Jordan but I disliked the left hand side being massively oversized and (Jordan Webb) on the left side of the contents was missing a part of his left arm. I liked the drop shadow that was behind him as it created a stand out effect that was extremely eye catching but at the same time you are only sub-conciously aware it is there. In the later version I decided to remove the colour from Jordan's portrait. I thought this reflected the old fashioned style of MOJO, combined with the wiser and more abstract and artsy styleThis the final contents that I have created and despite not looking too different from my previous I spent quite a bit of time editing this and making it look a professional quality. First of all I checked the mood board for a bit of inspiration, I also added subtleties such as the quote at the bottom left. This was to suit the target audience, this was purposeful as the quotation allows the reader to be intrested in the more personal sections of bands and more importantly gain the perspective of some of the band members.
This was my final two page spread article, this was shot next to a tree at a slant so that I could make the image into thirds and lead the eye to the left hand side. I also liked the brick wall effect that had been desaturated on the left hand side to make a more intresting texture for the text to lie on. I also designed the shot to be in a monochrome colour of the background with the two models in the foreground in colour so that it would almost look as if they were popping out.








